Apache Ga'an Dance

  Apache Ga’an Dance 

                                                                               By

                                                 Second Face Museum of Cultural Masks

The ga’an (Western Apache) or gaa’he (Eastern Apache) are powerful mountain spirits friendly to the Apache people.  The dancers represent mountain spirits during the ceremony and, as such, embody sacred beings.  There are various myth stories surrounding the ga’an.  One is that the ga’an were responsible for liberating the animal spirits locked in a cave where Crow had imprisoned them.  The animal spirits could then roam free and provide food for the Apache.

Another is that an Apache boy fell into a cave where ga’an spirits resided. When the boy died, he became one of the ga’an. Other tribe members came looking for him, bringing his dog, who recognized him among the ga’an spirits.  The boy eventually led the ga’an to his village, where the ga’an began a tradition of dancing to bless, heal, and protect the boy’s people.

The ga’an group always includes one messenger, who is sometimes referred to as a “clown.” The messenger really is a highly sacred being with a dual nature, both a frightening figure that scares evil spirits from the bodies of the sick and a comical teacher who facilitates healing through laughter. Unlike the other ga’an, who wear black or dark blue hoods and body paint, the messenger wears white.

The ga’an ceremony is performed to drum and song, usually at night.  The groups always have five dancers: the messenger and four dancers representing the different cardinal directions (north, south, east and west).  It begins with the messenger using a “bull roarer,” or whistle on the end of a string, to create an ethereal sound announcing the start of the dance.  The bull-roarer is used uniquely by the Western Apache; others omit it.  All dancers except the messenger carry wood or yucca spike “swords,” usually with symbols painted on them.  The ga’an mask must be prepared by a shaman with great care, and the patterns, glyphs and colors on the crown all have symbolic significance.  Different colors represent the cardinal directions and symbols may include totemic animals as well as stars, crosses, and circles.  The bodies of the dancers are painted with symbols and patterns as well.

The messenger’s mask is usually smaller than the others and uses white cloth instead of black. The mirrors on the crown, a recent addition, flash as the ga’an dance, adding to the dazzling effect.  The Apache, like many indigenous peoples, associate mirrors with spirituality.  The small wooden slats that dangle from the mask create a clicking sound characteristic of the ga’an.  The ceremony is performed at na’ih’es(girl’s adulthood initiation ritual), also known as the Sunrise Ceremony; to influence the weather; to heal the sick; and to purify the village of evil spirits and protect it for the future.